Toni Meyer
Toni Meyer (Viva Antonia Meyer *1988 in Frankfurt am Main) lives and works in Munich and Berlin. Her multimedia work includes photography, text, performance and video. She uses digital technology as a tool to transform what she perceives and counters the challenges of today‘s society, in particular environmental issues and consumer culture in the digital age, sometimes with humorous exaggerations, sometimes with dystopian ideas for the future.
“Anyone who knows the feeling of longing for the big city will quickly become addicted to Toni Meyer’s City Collages. Why is obvious: Life is just a party, and parties weren’t meant to last. The transience of the moment oozes from the pores and pixels of the images. Just like every travel experience that is too good to be true and all too soon will be a thing of the past forever. So we dream ourselves on, hoping for renewed fulfillment: next to the city … let’s leave that to Toni Meyer.” (Elena Dellasega)
CITY COLLAGE SERIES „SÃO PAULO“ PUBLISHED IN FLANEUR MAGAZINE
issue 7, São Paulo, 2018
Photo collages that display a virtual reality of São Paulo. From an outsider’s perspective. Viva Meyer likes big cities. And coincidences: places, people and stories belong together without knowing it. Only until they find themselves in simple collages. On Treze de Maio Viva found the stories of São Paulo during carnival season. The pictures show the street between fiction and reality. They have never actually been taken like this, but give a glance of the city in its multiplicity. Viva works as a photographer and video artist. She is currently based in Berlin, but tries to collage as many cities as she can.
Publications
CV
Photography and Electronic Arts, Goldsmiths College, London (2012 – 2013)
Photography, ICP International Center of Photography, New York (2011)
Gesellschafts- und Wirtschaftskommunikation (GWK), Universität der Künste, Berlin(2008-2011)
The line is never quite obedient, Ehemalige Schalterhalle der Commerzbank, Frankfurt/Main (GS)
Grow (Screening), Soho East Gallery, Berlin
Wohnung Lauxtermann, Galerie 3AP, Düsseldorf (GS)
Collage City Portraits, Galerie 3AP, Düsseldorf, (S)
Grow (we flowers were here always), Plainhead, NEU Workshop, München (Screening,Concert)
Overgrown – opera of the nervous system, Galerie 3AP, Düsseldorf (GS)
Doves & Divers, Mañana Bold, Frankfurt a.M. (Duo)
Lazy Eye, Spoiler Zone, Berlin (GS)
Lichtaktion/ Kunstareal, München (Performance)
prêt-à-parler by Aileen Treusch (Online-Exhibition)
I Cleaned Out My Wardrobe, (Online-Exhibition)
Making Crises Visible, Senckenberg Museum, Frankfurt (GS)
Unsought Normalities, Desired Landscapes, Athen (GS)
Baby, you’re a rich man, too, München, (GS)
Großstadt, Potsdamer 158, Berlin, (GS)
Atelierförderung, Stipendienprogramm des Freistaats Bayern, München (2023)
Junge Kunst und Neue Wege, Bayerisches Staatsministerium für Wissenschaft und Kunst, Stipendienprogramm des Freistaats Bayern, München (2022)
Kulturreferat der Stadt München, Projektförderung, München (2021)
Kulturamt der Stadt Frankfurt, Projektförderung, Frankfurt a.M.
Hochschule für Gestaltung Offenbach, Projektförderung, Offenbach a.M
Leibniz-Institut Hessische Stiftung Friedens- und Konfliktforschung, Projektförderung, Frankfurt a.M
Exhibitions
News
Collage City Portraits by Toni Meyer on view
temporary exhibition at NEUE KAISER, Frankfurt am Main 2024
„Subverting norms constructing narrative scenarios“
Wohnung Lauxtermann
The fluid exhibition is open for visitors for the fifth and last time this year until December 15th.
The line is never quite obedient
Mit Werken von Jacqueline Hen, Toni Meyer, Philipp Naujoks, Lara Werth
Kuratiert von Aileen Treusch für Cartier Northern Europe, ehemalige Schalterhalle der Commerzbank, Frankfurt (Neue Kaiser), Juli 2023.
Rheinische Post, 28.06.2023
„Mit der Präsentation der Arbeiten des Künstlers und Architekten Felix Anatol Findeiß wird Aileen Treusch ihrem eigenen Anspruch gerecht. Ein von ihr kuratiertes Projekt, ein Erweiterungsbau für die Metropolitan School in Frankfurt, macht mit einer künstlerischen Idee von Felix Findeiß und Stefan Knauf von sich reden. Es geht um einen begrünten Vorhang. Das Projekt ist als temporäre Fassadeninstallation in der Galerie zu sehen. „Kunst am Bau kann mehr als nur ästhetisch gefallen. Sie verändert den Blickwinkel.“