The conceptual artwork Nachtwache (Nightwatch) explores the relationship between light and darkness in the context of urban transformation processes. From an empty shop window, spotlights illuminate a construction site surrounding a formerly asbestos-laden complex that has been undergoing renovation for years.
The light serves a dual function. It not only lights up the space inside, but primarily the outside. A dark section of the street is illuminated; however, the blinding glare obscures the view into the shop window – perhaps hiding something that isn’t meant to be seen.
Inside, one may see a kind of triptych. Similar to an altarpiece, two large, empty metal frames flank a white wall. Brushstrokes remind of a construction site, though it is unclear if any real building activity is taking place. For passersby, nothing seems to be seen: no advertisements, no eye-catching displays. One might walk past without stopping to consider deeper questions.
Nightwatch reflects on the history of the building complex and its surroundings through a site-specific installation. The title alludes to Rembrandt’s famous painting – as his use of light guides the viewer’s eye through a carefully staged composition, here too, light is used to draw attention to details that might otherwise go unnoticed amid urban change.