Galerie 3AP
Galerie 3AP
Galerie 3AP

Jacqueline Hen – House of Galleries

House of Galleries 2026

Jacqueline Hen (*1989), an emerging German light artist, studied at the Universität der Künste Berlin and at the Art Center College of Design in Pasadena and has worked in the studio of Thomás Saraceno. Her practice bridges light installation, painting, and spatial experiments, generating layered perceptual experiences. In 2019, her work „Ligh High“ was awarded the International Light Art Award. Jacqueline Hen lives and works in Cologne and Wiesbaden.

 

At House of Galleries we present two complementary bodies of work by Jacqueline Hen, both exploring perception as a spatial and temporal experience. On floor 42, the H-GR series examines the interplay of light, surface, and architecture through reduced, material-based image objects. The works unfold situationally, shaped by movement, changing light conditions, and the viewer’s shifting position. On floor 44, the light installation One’s Sunset Is Another One’s Sunrise expands this inquiry to a planetary scale, approaching light as a global rhythm and connecting individual perception with collective time. Chromosphere (O) is another of Hen’s sun-related works, referencing the chromosphere, a transitional solar layer. With its glowing orange core, the installation oscillates between scientific observation and sensuous abstraction, evoking energy. perception, and presence

 

*please note: The works are built on a light-reflective and color-shifting ground, layered with impasto paint to create a relief-like depth. Depending on the viewer’s perspective, the light, and the time of day, the surfaces appear in shades of grey, blue, red, or green, occasionally revealing a vibrant interplay of colors.

 

 

photo

Chromosphere

100 cm, steel, LED, Edition of 4+2AP

4.600,00 + VAT

One‘s Sunset is Another Ones Sunrise

Indoor version: Galvanised steel, acrylic mirrors (gold), LED

130 x 130 x 3 cm Ed. of 4 + 2AP

€ 8.300,00 + VAT

 

Outdoor version: Galvanised steel, steel mirror (silver), LED

150 x 150 x 3 cm, Ed. of 6+2AP

€ 14.200,00 + VAT

 

larger variants on request and according to commission

Sitespecific installations:

Lichtparcours Braunschweig
Luftschutzraum Galerie 3AP
Alte Schalterhalle Commerzbank, für Cartier Northern Europe

H8 GR 109/134,8_1 (2025),

109 x 134,8 cm (h × w, framed)

coated MDF, foil, acrylic, alu

€ 5.600,00 + VAT (109/134,8_2)

 

H8 GR 109/31,8_2 (2025)

coated MDF, foil, acrylic, alu

109 x 31,8 cm (h × w, framed)

€ 3.200,00 + VAT (109/31,8_1)

H7.3, 2025

coated MDF, foil, acrylic, alu

90,8 x 200,8 cm (h × w, framed)

€ 6.600,00 + VAT

 

H7.4, 2025

coated MDF, foil, acrylic, alu

90,8 x 200,8 cm (h × w, framed)

€ 6.600,00 + VAT

 

 

Inquire

H8 GR 109/218_1 (2025)

coated MDF, foil, acrylic, alu

109 x 218 cm (h × w, framed)

€ 7.500,00 + VAT

 

 

Inquire

 

 

H8 GR 109/218_2 (2025)

coated MDF, foil, acrylic, alu

109 x 218 cm (h × w, framed)

€ 7.500,00 + VAT

 

H8 GR 109/51,5_2 (2025)

coated MDF, foil, acrylic, alu

109 x 83,3 cm (h × w, framed)

€ 3.700,00 + VAT (109/51,5_2)

 

 

H8 GR 109/19,5_1 (2025)

coated MDF, foil, acrylic, alu

109 x 19,5 cm (h × w, framed)

€ 3.000,00 + VAT (109/19,5_1)

 

 

Inquire

 

 

H8 GR 109/31,8_1 (2025)

coated MDF, foil, acrylic, alu

109 x 31,8 cm (h × w, framed)

€ 3.200,00 + VAT (109/31,8_1)

 

H8 GR 109/51,5_1 (2025)

coated MDF, foil, acrylic, alu

109 x 51,5 cm (h × w, framed)

€ 3.700,00 + VAT (109/51,5_1)

H8 GR 109/83,3_1 (2025)

coated MDF, foil, acrylic

109 x 83,3 cm (h × w, framed), alu

€ 4.400,00 + VAT

 

 

Inquire

H8 GR 109/134,8_2 (2025),

109 x 134,8 cm (h × w, framed)

coated MDF, foil, acrylic, alu

€ 5.600,00 + VAT (109/134,8_2)

 

H8 GR 109/19,7_2 (2025),

109 x 19,7 cm (h × w, framed)

coated MDF, foil, acrylic, alu

€ 3.000,00 + VAT (109/19,7_2)

 

 

Inquire

*please note: The works are built on a light-reflective and color-shifting ground, layered with impasto paint to create a relief-like depth. Depending on the viewer’s perspective, the light, and the time of day, the surfaces appear in shades of grey, blue, red, or green, occasionally revealing a vibrant interplay of colors. The technique subtly references historical painting processes, including the use of squeegee tools, whereby color, surface, and texture engage in a dynamic and complex dialogue.